homosocial environments/communities
LHMP entry
Ottaviano Bon belonged to an aristocratic family in Venice and was active as a diplomat. I’m having trouble finding a clear biography of him through online sources. He has no English Wikipedia entry, and the Italian Wikipedia entry is brief and sketchy.
The Flemish scholar Ogier Ghiselin de Busbecq was named an ambassador to the Ottoman Empire by the Holy Roman Emperor Ferdinand I. From around 1554 through 1562 he was in Constantinople, primarily to negotiate a border treaty. But Busbecq was deeply interested in manuscripts, in natural history, and in describing his experiences in an extensive correspondence with friends, which he later collected and published.
This post is part of a series of primary source materials illustrating how Europeans perceived, reported, and discussed female homoeroticism in the Ottoman Empire during the 16th to early 18th centuries. I’ll give a larger context for why this is a period of interest for European interactions with a non-European, non-Christian culture that could not be dismissed easily as not being of equal power an importance to their own.
Reading pre-modern literature in terms of gender and sexuality requires abandoning, modern sexual categories, even when continuities can be identified. The chapter begins with a review of major historians that shaped the study of medieval (homo)sexuality. It discusses the complicated structure of medieval, thinking around gender and sexuality. Discussion of specifics, primarily focuses on male homoerotic relations with brief nods to female relations.
Introduction
In the later 18th century, there is a conflict in the English imagination between the foreign, dangerous, “female friends,” personified by the image of sapphic Marie-Antoinette, and the positive image of such celebrated English female couples such as Ponsonby and Butler, Seward and Sneyd. Hester Thrale personified this conflict, expressing deeply negative views of sexualized female relationships, but praising and even engaging in intimate (but not overtly sexual) relationships between women, such as Frances Barney.
This article looks at the women’s religious educational communities founded in the early 17th century by Mary Ward, the School of Blessed Mary. As an English woman setting up Catholic institutions during a period when Catholicism was out of favor in England, and as a woman becoming a prominent religious leader in the Catholic Church at a time when women were not encouraged to take leadership positions, the hierarchies of both sides found Mary Ward problematic.
Drama often draws on contemporary dynamics to depict historic stories, and in this article Brown uses the relationship between Queen Elizabeth I and her female courtiers to examine the depiction of Cleopatra’s court in Shakespeare’s Antony and Cleopatra. And, given the focus of this collection, it particularly looks at the types of alliances within the court between a queen and her waiting women. Brown’s position is that these relations strengthened Elizabeth’s position and goals, while Cleopatra is depicted as weak in this department.
McLaughlin traces the history and internal politics of a planned women’s community in Ferrara in the first half of the 15th century. Although the community eventually shifted (through several branchings) into a traditional religious order, it had started as a secular (though devotional) community and maintained that status for almost 50 years, largely due to the determined and forceful personalities of its successive leaders.
The idea of “modern lesbian identity” and when it can first be identified is a question that has preoccupied many historians in the field. In this article, Vicinus tackles the question. Keep in mind that this article was written in 1992, so it was still rather early in terms of current lesbian history scholarship.
The 19th c, far from being an era of sexual repression (as the “Victorian” age is often depicted) saw an increasingly diverse and intense focus on sexuality, including homosexuality. This paper looks at depictions of homosexuality in Paris from the 1830s through the end of the 19th century, in printed and visual media. From this, we see the obsessions, anxieties, and taboos about public behavior.
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