This review will necessarily be somewhat cursory, as the entire book is relevant to the LHMP project. In general, I will summarize data not covered in detail elsewhere, and include references to the rest.
cross-gender roles/behavior
Any context where a person engages in actions or fulfills a social role that is socially designated for a different gender than the one they are assigned. This may be a covert part of an overall presentation or may be in open contradiction to their assigned gender.
LHMP entry
A catalog of reasons why women might take up grinding, essentially identical to the one given in al-Yemeni: due to physiological or esthetic issues, because she is slow to climax with a man, because of pain on intercourse, because she prefers smooth-cheeked kisses, because she has a dominant “masculine” personality.
An extensive legal/religious discussion/debate on the question of whether grinding [sex between women] is forbidden. The debate is largely framed as a discussion by “the father of Mohamad”.
He reviews various positions on whether female homosexuality is forbidden or permitted. Is it fornication? Is it worse than fornication? Is it not fornication at all? The conclusion is that it isn’t fornication because fornication is specifically define as unlawful penis-in-vagina sex.
Al Jaheth (ca. 860) quoting Muthana Bin Zuhair
An Appendix of Texts from the Arabian Middle Ages Concerned with Female Homosexuality
”On the Mention of Grinding and Grindings” in al-Yemeni, Ahmad Bin Mohamad Bin Åli (d. 850).
Explains the nature of “grinding” and the vocabulary.
Notes the hadith the equates grinding with fornication.
Gives the story of Hind credited as the first “grinder”.
Gives the story of Rughum and Najda (tragic lovers).
Part I: Introducing studies on female homosexuality and contemporary critical theory
Chapter 1: Introduction - Contemporary views of female homosexuality in the Middle East
Chapter 5
Rather than arising from male fantasies as some suggest, the ballads are rooted in actual working class experience. Three features are key contributors to the context in which they arose. There was a general expectation of physical strength and toughness from working-class women. There was a context of near constant warfare and the routine participation of women in military contexts, as well as a somewhat less rigid and regimented structure to the military. And there was a general preoccupation with disguise and cross-dressing.
Literary women who love women often lament being "the only one" or consider themselves outside of nature, but in the 18th century this begins being transformed into a sense of monstrousness. Versions of Ovid's myth of Sappho's late-life conversion to heterosexuality begin to presage this shift in the early modern era. Though a straightforward reading of Ovid's tragic ending would be that heterosexuality was the death of her, it began to be framed as a retroactive punishment for her previous love for women.
Chapters 1-4
While the Inseparable motif sometimes employs a male character to bridge the practical logistics of forming a female couple, it is more natural for a triangle of this sort to frame the man and woman as rivals for their shared object of desire. Sappho’s fragment 31 encapsulates the envy of a woman for the man who has the attention of the woman she loves. And in contrast to the common motif of-two men competing for a woman's love, when one of the rivals is a woman there is always an awareness that the playing field is badly uneven.
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