This chapter focuses on three specific individuals whose gender and sexuality brought them celebrity status in 16-17th century Spain: Catalina de Erauso, Queen Christina of Sweden, and Elena/Eleno de Céspedes. In comparing them, we can see the influence of race and class on how gender transgression was received.
Queen Christina of Sweden
17th century Queen of Sweden who had a passionate friendship with one of her ladies in waiting, openly cross-dressed on occasion, and after her abdication was rumored in Paris to have lesbian relationships.
LHMP entry
The identification of forbidden female homoerotic activity in early modern Spain is hampered by the deliberately vague language with which it is identified. When a “miraculous” crucifix supposedly tattled on two trysting nuns in the early 17th century, the phrase put into its voice was simply that the two were “offending me.” Similarly, in 1603 when Inés de Santa Cruz and Catalina Ledesma were arrested for female sodomy in Salamanca, the accusations came in descriptions of the sounds of passion heard through a wall and not a declaration of specific acts.
In this chapter, Faderman reviews the historic and literary perception of women cross-dressing as men during the 16-18th centuries. She notes that women passing as men [or transgender men, although this framing was not typically used at the time the book was published] were considered a more serious issue than lesbian sex, as long as that sex was between “feminine” women. One difference was that sexual encounters could be framed as a transient amusement whereas passing women were engaged in a long-term transgression.
The paper opens with a consideration of the use of the term “queer” in modern academia, combined with a more literal meaning indicating deviance from the norm. But then it dives into a somewhat unusual use of the word in the diaries of Anne Lister (1791-1840) who appears to use “queer” as a name for female genitalia—a use that doesn’t seem to have a clear origin or parallels.
(blogged by Heather Rose Jones)
Krimmer’s primary focus is on the motif of cross-dressing women in 18th century German literature (novels, plays, etc.), but as part of the background, she reviews a great many historic cases. The issues of theory that are covered in these opening parts of Krimmer’s work, with the complexities of gender theory and clothing as signifiers of all manner of social classifications, are thoroughly covered in the analysis of chapters 2-5. The present summary is simply a rough catalog of the examples she cites.
The author is looking through 18th century civic records from Hamburg, Germany for data about same-sex relationships, primarily in legal contexts. The majority of the article covers male topics, but one particular example involving women is explored in some depth. The case of Ilsabe Bunck and Maria Cäcilia Jürgens initially appears in legal contexts, but later became sensationalized and is often treated in a moralizing or voyeuristic way.
