This article addresses the ticklish topic of the “sapphic incest motif” in erotic art and drama around the turn of the 20th century. Multiple themes braid together within this general context. The rhetorical use of “sisterhood” in support of feminist and sapphic communities. (It isn’t too far a stretch to assert the existence of sapphic communities at this point.) The use of actual or fictional family ties to defuse potential sapphic readings, as with actress Charlotte Cushman’s Romeo playing opposite her real-life sister’s Juliet.
Historic Couples: Passionate Friends
Women who were known for engaging in passionate friendships with other women when the relationship was not publicly considered to be sexual. This category covers cases where there may not have been a specific partnership or where the women never lived as a couple. (See also "Historic Couples: Romantic Pair".)
LHMP entry
This is a startlingly (I might say unexpectedly) excellent and comprehensive survey of lesbian-relevant history in Early Modern Europe. That actually makes it difficult to summarize (as well as difficult to tag, though I’ll give it my best shot). I think I’ll approach it by noting themes and topics, without necessarily trying to compose complete sentences.
This article examines the interactions of class and sapphic desire in the “long 18th century,” arguing for a complex interaction between the two. That is, that class could insulate women from scrutiny of their intimate friendships with women, but that suspicion concerning women’s intimate friendships could degrade their class standing.
This is a collection of excerpts from historic sources related to homosexuality in America. As with other publications of this sort, I’m mostly going to be cataloging the items of interest. Although it’s a very thick little paperback, the lesbian content is sparse. In fact, Katz notes, “In the present volume, Lesbian-related material is dispersed unequally within the parts, and not always readily identifiable by title—thus difficult to locate at a glance.
Introduction
The author points out that this is an inescapably political book and should be read in that context. He points out that the question of “who is queer” is not at all straight-forward [pun intentional] in a historic context, and that queer figures have been silently and invisibly embedded in US history far deeper than most people are aware.
Introduction: Who is the Lesbian?
For the purposes of this book, “British lesbian history” begins in the late 18th century. It was unclear to me if this was simply a chosen scope based on the source material they wanted to present, or if the authors believe there is no lesbian history prior to that date. They assert that “lesbian identity” is a late 20th century concept. “Women…did not necessarily have a language to describe themselves as lovers of women.” [Note: we can take it as given that I disagree with that position.]
The defamation lawsuit brought by Marianne Woods and Jane Pirie against Lady Cumming Gordon in the early 19th century is often cited as concerning accusations of lesbianism against the two women. But This article looks at the details of the cause as illustrating points of Scottish legal procedure.
The central premise of this chapter Is to examine how the law came to acknowledge the existence of sexual “indecent assault” by one woman against another. But the case used to illustrate this concerns a midwife who was hired to examine the virginity of an underage girl being procured for prostitution. The case had a number of complicating factors. The men doing the procuring were anti-prostitution activists and journalists, working to demonstrate how easy it was to obtain such victims. One focus of such campaigns was to raise the female age of consent from 13 to 16.
Introduction
In the second half of the 18th century, women established themselves as writers of novels in dramatic numbers, thus the genre is imbued with a diverse array of women’s concerns. The novels discussed in this book tell stories often at odds with the official cultural narrative. Within that diversity, they contribute to a common tale of women’s options and how they negotiate them.
Ballaster uses the lens of Delarivier Manley’s The New Atalantis, and especially its “New Cabal” as a lens for exploring knowledge of, and attitudes toward, female same-sex eroticism in 17th and 18th century England. (Manley’s book was published in 1709 and so speaks to both centuries.)
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