It's fascinating to me how solidly misogyny is embedded in early Christian culture that, even when envisioning the ideal state of humanity as androgynous beings "neither male nor female" there's still the unexamined assumption that once you have binary gender, it's necessarily hierarchical. This book will take a while to get to the aspects of non-binary identity that are relevant to the Project, but it's being a fascinating read.
LHMP
Blog entry
I hope to answer that question in an upcoming podcast. (Probably not this month -- not enough time, and I still have another book to cover before I'm ready to do it.) But the short answer is that questions of how historic societies thought about "same-sex" issues relates very much to their understanding of how the sexes are defined and differentiated.
Lesbian Historic Motif Podcast - Episode 351 - On the Shelf for September 2026 - Transcript
(Originally aired 2026/09/05)
Welcome to On the Shelf for September 2026.
It’s been quite a month! The first week of August I was in Orlando for the Golden Crown Literary Society conference, the last week was in Anaheim for the World Science Fiction Convention, and on top of that I started a much more intense physical therapy schedule for my broken arm that can eat up as much as 4 or 5 hours a day (though I backed off on it a little for the conferences).
The last two covered publications about medieval romances had only tangential relevance to the Project, but this article is a treasure. I've previously run across passing references to the same-sex romantic interactions in Amadis de Gaule, but they tended to assume that the reader was thoroughly familiar with the tale. This article focuses specifically on those romances and lays out the background and context for the characters involved.
Discussions of cross-dressed medieval romance heroines commonly mention the tale of Grisandole. For the sake of completeness, I tracked down this comprehensive analysis of the tale. Although Grisandole's cross-dressing doesn't include any of the accidental homoeroticism of many such tales, this article is a great example of how medieval romances were built up out of pre-existing material, and how many parallel versions of a core tale co-existed, swapping elements out or in depending on the local taste.
The medieval French Roman de Silence is a rich text for exploring gender and sexuality, but as is often the case, what you find can depend on what you're looking for. What I personally look for is often imagery that could have informed a medieval woman's understanding of her sexual possibilities. This author seems to have been looking for ways to associate the homoeroticism in the tale with the villainess--even though the villainess's sexual transgressions are all heterosexual from her point of view.
This is the final item from the collection Decoding Anne Lister: From the Archives to ‘Gentleman Jack’. Once again, it's just a place-holder rather than a full summary, as the interview is entirely focused on the making of the modern tv series.
This week I'll be posting from the Golden Crown Literary Society conference in Orlando Florida!
This is another article that I haven't summarized in detail (or much at all) because it's concerned with modern topics, specifically the process of adapting Lister's story for tv. The article if fascinating reading, but not pertinent to history, as such.
The final section of this collection of articles centered around Anne Lister concerns itself with modern engagement with her history and legacy, like this one which has as a jumping-off point the wording on commemorative plaques installed referring to her.
Lesbian Historic Motif Podcast - Episode 350 – Love for Love’s Sake by Shannon Lippert - transcript
(Originally aired 2026/08/29)
I have never made a secret of the fact that I have a real thing about late 17th century French bisexual opera-singing swordswoman Julie d’Aubigny. But that also means that I have a high bar for fiction about her life. Shannon Lippert took on that challenge and delighted me with a story set towards the end of Julie’s life, during her all too brief period of mature happiness with the Marquise de Florensac.
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