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LHMP #500 Donoghue 2007 Doing Lesbian History, Then and Now


Full citation: 

Donoghue, Emma. 2007. “Doing Lesbian History, Then and Now” in Historical Reflections / Réflexions Historiques, Vol. 33, No. 1, Eighteenth-Century Homosexuality in Global Perspective: 15-22

Being a firm believer in celebrating Arbitrary Round Numbers, I determined to find something appropriate to schedule for publication #500. I'd come up with several candidates when perusing my database of publications, but when I read this article I knew I'd found my choice. As I note below, Emma Donoghue's Passions Between Women was a major inspiration for the Lesbian Historic Motif Project (along with Lillian Faderman's Surpassing the Love of Men). Although I didn't blog Passions Between Women itself until publication #100 (another case of scheduling for an Arbitrary Round Number), it was a constant presence in my mind in the decades between when I first encountered the book and when I published the first Lesbian Historic Motif Project blog back in 2014-06-09. So just as Donoghue takes this moment to reflect on where she started and where she was then (when the article was published), it makes a good publication to mark where we started and how far we've come.

Periodically I like to do a "check-in" on how I'm progressing through the blogging of publications I'd identified as potentially relevant. Currently, my database has exactly 1200 publication records. (That round number wasn't planned--I only realized it when I went to check for this write-up.) Of those, as noted, I've blogged 500. Another 107 have been flagged as not relevant after all, on consideration. (I keep them in the database because if I once thought they might be relevant, I don't want to duplicate the effort if I run into them again in someone's bibliography.) So that means I've reviewed almost exactly half of the citations I've logged. I've occasionally taken note of similar stats, so here's a comparison:

  • In September 2016, I had 400 entries of which I'd blogged 125 (31%).
  • In April 2021, I had 882 entries, with 330 blogged and 35 marked N/A (41%)
  • In December 2022, I had 974 entries, with 385 blogged and 40 N/A (44%)

I won't do a statistical analysis projecting when I can expect to be entirely caught up, because the amount of time I have to devote to the Project has been variable. I'll also reach a point when I have a substantial residue of references that someone else has cited that I don't have access to, however interesting they might be. And as I've noted on previous occasions, there are some subjects where I'm reaching diminishing returns in terms new information from reviewing additional sources. (I strongly suspect that there's nothing more to learn about Sappho, unless someone turns up new primary source material.)

I constantly regret how skewed the Project has been toward the subjects most accessible through English-language research (and subjects of interest to those academics). When it comes to writing The Book, I'll have a focused section on the peri-Mediterranean Islamicate world and then maybe brief pointers toward information on the rest of the non-Western world, but the book's focus will necessarily be narrow (though in a way that corresponds to levels of interest in historical fiction).

I never aspired to doing new original research, simply to gather, collate, summarize, and synthesize existing reserach toward a specific and highly subjective purpose: the writing of historical fiction. So it seems fitting that the "patron saint" of my Project, if you will, is both a historian and a historical novelist.

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Emma Donoghue takes the occasion of having been an invited speaker at a history conference to reflect on her own life, motivations, and accomplishments in the field of sexuality history. As such, it doesn’t present any new information but is a fun roadmap of a career (that is still in process).

[Note: Some day I would love to have Donoghue on the podcast. I once queried her agent on the occasion of a book release but got no response. I probably know someone who could put me in contact but I haven’t had the nerve to make it a serious project yet. Maybe for the 10th anniversary of the podcast. That gives me two years to work up to it.]

Donoghue’s inspiration was the initial publication of material from Anne Lister’s diaries that contradicted the accepted wisdom that there was no context for early 19th century women constructing a self-aware identity as a woman who was “too fond of women.” There was, for all practical purposes, no field of lesbian history at that time and the history of homosexuality was dominated by men.

Donoghue notes that she didn’t pursue a topic in lesbian history for her PhD, not having any confidence that she could find administrative support for it. But at the same time, she conceived of the idea of assembling a sourcebook of material on lesbian topics in Britain between 1668 and 1801. [Note: regular readers will be unsurprised that the publication of Passions Between Women in the early 1990s was a major force in the inspiration for my own project.] With no apparatus for finding relevant material directly, she cast a wide net, pursuing what might seem to be tangential topics. Rather than finding a desert, she was surprised at the volume of material that came to light, especially in the fields of medicine and journalism. She records her sense of betrayal at finding the Oxford English Dictionary’s unreliability on the usage dates for “lesbian.” The wealth of different terms for women who loved women in the long 18th century challenged the claim that such women had no context for understanding themselves as belonging to a “type” of person.

The resulting book was written in two years (during a break from her PhD), having become a personal passion project related very much to Donoghue’s own queer identity. While groundbreaking, she acknowledges that the book is very much a product of its time, existing in reaction to what came before (just as Faderman’s Surpassing the Love of Men was of its time a decade earlier and reacting to a different set of predecessors). In reacting against what she perceived as an overly uniform lesbian feminist culture of the 1990s, Donoghue emphasized variety, eccentricity, a lesbian-bisexual continuum, and aspects of sexuality (like pornography) that were considered taboo among feminist circles of the time. She also rejected the idea of conflating male and female homosexual history, seeing a need to view lesbian history from a woman-centered point of view. One aspect of the book that is very much “of its time” is the treatment of female masculinity, which was not yet informed by the work done and questions raised since then by transgender studies.

Donoghue discusses the tension between presentism [i.e., viewing the past in terms of how it relates to the present] and an excessive over-emphasis on the avoidance of anachronism only when it touches on marginalized topics, whose study is so often driven by personal connections to the material.

She concludes the article by discussing how her study of history has intertwined with her work as a historical novelist (with a side comment on how many of her historical studies have ended up involving women named Anne).

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Comments

An interview between you and Emma Donoghue would be AWESOME!

I've made a couple attempts to get in contact, but I think it's going to take finding a mutual acquaintance.

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