In this article, Ingrassia challenges scholarship that views 18th century novelist Eliza Haywood’s work as depicting only heterosexual relationships and instead points out and discusses many aspects of her fiction that represent a wide spectrum of relations between women that range from the homosocial to the homoerotic. [Note: This article has a lot of literary theory jargon, which I tend to find of less interest, so I’ll mostly be focusing on the discussions of the content of Haywood’s work.]
18th c
LHMP entry
This article looks at contrasting concepts of “woman writer” and “professional author” in the 18th century, using the lens of Eliza Haywood’s writing, and specifically the discussions around writing and authorship contained in her work The Tea-Table. In the early 18th century, resistance to the idea of women as “writers” (which had influenced many women to circulate their work only in manuscript among private social circles) was shifting to resistance specifically to women as professional writers, i.e., ones who aspired to make a living at it.
This article is something of a cross-genre, cross-temporal look at the representation of Anne Bonny and Mary Read as “sapphic pirates” and what part their stories have played within the constructed image of 18th century piracy and colonialism.
Emma Donoghue takes the occasion of having been an invited speaker at a history conference to reflect on her own life, motivations, and accomplishments in the field of sexuality history. As such, it doesn’t present any new information but is a fun roadmap of a career (that is still in process).
Narratives of the lives and “adventures” of passing women were popular in 18th century British culture, purporting to provide biographies of women who lived as a man for some period of time, including: Hannah Snell, Christian Davies, Jenny Cameron, Anne Bonny & Mary Read, Charlotte Charke, Elizabeth Ogden, an unnamed “apothecary’s wife” whose story is appended to the English translation of the life of Catharine Vizzani, and Mary Hamilton whose story inspired the label “female husband” for those passing women who engaged in relationships with other women.
Chapter 19: Sylvia Drake | W 1851
Sylvia Drake was 66 when Charity died and had not left her side for over 40 years. Family and neighbors commented on what a shock it would be for her to be on her own, with loneliness a common theme in their condolence letters. Some came close to recognizing that Sylvia was the equivalent of a widow, using that word, but she was denied the social recognition and status that widowhood normally conferred.
Chapter 17: Diligent in Business 1835
The chapter opens with a detailed dramatized episode from a typical workday for C&S, cited to a diary entry, but not indicated as direct quotes and clearly elaborated from the author’s imagination. This is the sort of concern I’ve noted previously about the fictionalizing of details.
Chapter 15: Dear Aunts 1823
Chapter 13: Wild Affections 1811
Chapter 11: The Tie That Binds July 1807
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